{"title":"ALL THE ALBUMS (Standard \u0026 Premium Collection, Excellence Signature)","description":"","products":[{"product_id":"rachmaninoff-piano-concertos-nos-1-2-3-by-byron-janis-2025-remastered-moscow-london-minneapolis-1960-1962","title":"Rachmaninoff: Piano Concertos Nos. 1,2 \u0026 3 by Byron Janis (2025 Remastered, Moscow, London \u0026 Minneapolis 1960-1962)","description":"\u003ch2\u003eRachmaninoff: Piano Concertos Nos. 1,2 \u0026amp; 3\u003c\/h2\u003e\n\u003cp\u003eByron Janis (2025 Remastered, Moscow, London \u0026amp; Minneapolis 1960-1962)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 11 track(s)\u003cbr\u003eTotal length: 01:40:33\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-justify para-style-subtitle\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eBorn in 1928 in McKeesport, Pennsylvania, to parents of Russian and Polish descent, Byron Janis showed musical talent at a very early age, taking his first lessons at five before being introduced, two years later, to Josef and Rosina Lhévinne in New-York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-justify para-style-subtitle\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eAt fifteen, he caused a sensation by performing Rachmaninoff’s Piano Concerto No. 2 with the NBC Orchestra. This piece, perfectly suited to his temperament, would become his signature work—he performed it again in 1944 with the Pittsburgh Orchestra under the direction of a young 13-year-old conductor: Lorin Maazel. In the audience, Vladimir Horowitz was deeply impressed and offered to take the young Byron as his pupil.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-justify para-style-subtitle\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eByron Janis became the first—and one of the few—students of Horowitz. He accompanied him on tour: “I traveled extensively with Horowitz and his wife so that I could study with him regularly. I became like their son.” Those formative years with one of the greatest pianists of the time were truly invaluable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-justify para-style-subtitle\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eIn 1960, Byron Janis was invited to the USSR as part of a cultural exchange between the two superpowers. In return, Sviatoslav Richter was chosen to perform in the United States. In 1962, Janis returned to the Soviet Union and achieved a remarkable feat by performing, in a single evening, Schumann’s Piano Concerto, Rachmaninoff’s First Piano Concerto, and Prokofiev’s Third Piano Concerto. The Mercury label seized the opportunity to set up its microphones in Moscow—an audacious move given the Cold War context. Janis then recorded the concertos that had brought him fame, first with conductor Kirill Kondrashin and later with Antal Dorati. Everywhere, audiences are captivated by his playing—marked by impeccable elegance, flawless technique, and great refinement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-justify para-style-subtitle\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eThe remastering in our edition is simply outstanding. The sound of each orchestral section is even more beautiful and distinct, while enhancing the sense of closeness to the instruments that so defined Mercury’s legendary 1960s recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" class=\"cvGsUA direction-ltr align-end para-style-subtitle\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eEnjoy your listening\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040521416970,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverI_Rachmaninoff_PianoConcertosNos.1_2_3byByronJanis_2025Remastered_Moscow_London_Minneapolis1960-1962.png?v=1761726951"},{"product_id":"mozart-piano-concertos-nos-20-21-22-23-by-annie-fischer-2020-remastered-london-1958-59","title":"Mozart: Piano Concertos Nos. 20, 21, 22, 23 by Annie Fischer (2021 Remastered, London 1958-59)","description":"\u003ch2\u003eMozart: Piano Concertos Nos. 20, 21, 22, 23\u003c\/h2\u003e\n\u003cp\u003eAnnie Fischer (2021 Remastered, London 1958-59)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 12 track(s)\u003cbr\u003eTotal length: \u003cspan\u003e02:01:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBorn in Budapest in 1914, a few weeks before the outbreak of the First World War, Annie Fischer made her debut as a child prodigy at the age of 8 playing Beethoven's First Piano Concerto. She entered the Franz Liszt Conservatory in Budapest at the age of 12, where she studied with Ernö Dohnányi, among others. In 1933, at the age of 19, she won the first Franz Liszt Competition in Budapest, which launched her European career. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOf Jewish origin, she fled to Sweden during the Second World War with her husband, the critic Aladar Toth. They returned to Hungary after the war. Annie Fischer plays under the direction of conductors such as Otto Klemperer, George Szell, Ferenc Fricsay or Wolfgang Sawallisch.. She is an extraordinary, charismatic personality, who gives a spiritual dimension to her interpretations and arouses the admiration of all. In particular, his interpretation of Mozart's Piano Concertos is the pearl of a heritage to be cherished.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040521548042,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverMozart_PianoConcertosNos.20_21_22_23byAnnieFischer_2020Remastered_London1958-59.png?v=1761726952"},{"product_id":"haydn-the-paris-symphonies-nos-82-87-by-kurt-sanderling-2020-remastered-studio-1971","title":"Haydn: The Paris Symphonies Nos. 82-87 by Kurt Sanderling (2020 Remastered, Studio 1971)","description":"\u003ch2\u003eHaydn: The Paris Symphonies Nos. 82-87\u003c\/h2\u003e\n\u003cp\u003eKurt Sanderling (2020 Remastered, Studio 1971)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 24 track(s)\u003cbr\u003eTotal length: \u003cspan\u003e02:34:33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIn 1784 the Paris-based concert enterprise, the ‘Concert de la Loge Olympique, commissioned six large-scale symphonies from Franz Joseph Haydn. First performed in the French capital three years later, they soon became know as his Paris Symphonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e The Paris commission called for symphonies for large concert halls, thereby confronting Haydn with an entirely new problem : whereas his earlier symphonies had all been scored for his own chamber orchestra of between twenty-two and twenty-four musicians and intended to entertain the court, he how had to adapt his style to a whole new type of concert. Public concerts were far more common in Paris and London than they were in, say, Vienna. Haydn now had to write for an orchestra of forty violins, ten double basses and double wind, an array of forces that allowed him to achieve a more subtly differentiated handling of timbre, greater autonomy in his use of the individual instrumental groupings and more pointed dynamic contrats. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Paris Symphonies are generally and rightly regarded as one of the high points in Haydn’s output as a symphonic composer, a view that contemporary audiences clearly shared : all six works were greeted with loup applause when premièred in Paris. Activate subtitles for a presentation of each symphony.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040521580810,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverHaydn_TheParisSymphoniesNos.82-87byKurtSanderling_2020Remastered_Studio1971.png?v=1762111465"},{"product_id":"mahler-symphony-no-2-resurrection-by-bruno-walter-2023-remastered-new-york-1958","title":"Mahler: Symphony No. 2 \"Resurrection\" by Bruno Walter (2023 Remastered, New York 1958)","description":"\u003ch2 class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eMahler: Symphony No. 2 \"Resurrection\"\u003c\/h2\u003e\n\u003cp class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eBruno Walter (2023 Remastered, New York 1958)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 05 track(s)\u003cbr\u003eTotal length: 01:19:56\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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from a poem by Friedrich Gottlieb Klopstock, the term “Resurrection” sets the horizon toward which the five movements converge. In this program, the first movement represents a funeral and raises questions such as “Is there life after death?”; the second movement is a remembrance of the happy moments of the deceased’s life; the third movement portrays life as a meaningless activity ; the fourth movement conveys a yearning for release from a senseless existence, featuring a poignant melody, Urlicht (“Primal Light”), in which the alto voice expresses human anguish; and the fifth movement—after revisiting the doubts of the third movement and the questions of the first—culminates in a fervent hope for eternal and transcendent renewal.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eBruno Walter was a close friend of Gustav Mahler, his assistant conductor for many years, and one of the most revered conductors of his generation. He played a vital role in keeping Mahler’s music alive in concert halls after his friend’s death, as well as in spreading it through recordings. Regarding his role as a conductor, he once said: “I am merely a musical postman, and as such, I must make sure that my musical letters reach their destination.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040521711882,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cove_Mahler_SymphonyNo.2_Resurrection_byBrunoWalter_2023Remastered_NewYork1958.png?v=1761726954"},{"product_id":"schumann-the-4-symphonies-by-leonard-bernstein-2023-25-remastered-new-york-1960","title":"Schumann: The 4 Symphonies by Leonard Bernstein (2023-25 Remastered, New-York 1960)","description":"\u003ch2\u003eSchumann: The 4 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all the complete cycles released so far, the first one made by Leonard Bernstein with the New York Philharmonic remains the most consistent, one of the most dynamic (the conductor’s physical involvement is palpable), and therefore the most convincing. There are no dull or sluggish passages—the achievement is complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eLeonard Bernstein was a pioneer in recording the original text of Robert Schumann's complete Symphonies, as opposed to so many versions reproducing scores rearranged by orchestrators who may have been more efficient but considerably less expressive. This recording is undoubtedly the most important in the discography, both for its philological aspect and for the conductor's physical commitment.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eIn the manner of his elder Wilhelm Furtwängler, Leonard Bernstein records the Fourth Symphony in a single take. To understand why it's important for a conductor to conduct the Fourth in a single take, it's necessary to know an important characteristic of Schumann's symphonic writing: the interconnection of the movements. Since the themes, motifs and episodes are linked together across the movements, there really does exist, on a subtle level, a \"reminiscence\" and thus a special quality of cohesion. Schumann made use of this special form of association in all his symphonies — a technique which Brahms adopted and further developed in his symphonic writing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040521744650,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverISchumann_The4SymphoniesbyLeonardBernstein_2023Remastered_New-York1960.png?v=1761726958"},{"product_id":"gounod-st-cecilia-mass-by-jean-claude-hartemann-2023-25-remastered-paris-1963","title":"Gounod: St. Cecilia Mass by Jean-Claude Hartemann (2023-25 Remastered, Paris 1963)","description":"\u003ch2\u003eGounod: St. 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a long stay in Italy, Charles Gounod studied Palestrina’s style with great dedication, which inspired him to compose many works. The influence of sacred music was so profound on Gounod that he long considered entering the priesthood. It was also during this period (around 1850) that he began working on the St. Cecilia Mass, which he did not complete until five years later. This interval was marked by decisive events in his personal and artistic development: through his encounter with the fascinating Pauline Viardot (a French singer and composer of Spanish origin, and sister of La Malibran) and his discovery of Hector Berlioz’s music, the composer gained greater mastery and maturity.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eGounod continued to compose liturgical music until the end of his life. The St. Cecilia Mass thus holds a central place in Gounod’s artistic evolution.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe little-known recording by Jean-Claude Hartemann—often overshadowed by those of Prêtre and Markevitch—remains, in our view, the ultimate reference. It was in fact awarded a major recording prize. An epic breath animates this interpretation, further enhanced by a sumptuous sound capture. The choirs, orchestra, and vocal soloists are all remarkable. The remastering is exceptional. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040522236170,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverIGounod_St.CeciliaMassbyJean-ClaudeHartemann_2023Remastered_Paris1963.png?v=1761726958"},{"product_id":"beethoven-symphonies-nos-9-7-5-3-by-ferenc-fricsay-2022-25-remastered-berlin-1958-1962","title":"Beethoven: Symphonies Nos. 9,7,5,3 by Ferenc Fricsay (2022-25 Remastered, Berlin 1958-1962)","description":"\u003ch2\u003eBeethoven: Symphonies Nos. 9,7,5,3\u003c\/h2\u003e\n\u003cp\u003eFerenc Fricsay (2022-25 Remastered, Berlin 1958-1962)\u003c\/p\u003e\n\u003cp\u003e3 disc(s) - 17 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name is Ferenc Fricsay. I was born in Budapest in 1914, on the tragic day the war broke out…”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eA charismatic conductor, full of fire and power, Ferenc Fricsay (1914–1963) faced illness at a young age, which claimed his life at 49. His premature death deprived music of the masterpieces his interpretations might have given us. “Had he lived, Fricsay would have been the first to challenge Karajan’s supremacy,” said Yehudi Menuhin, who can be seen performing Brahms’s Violin Concerto under the Hungarian conductor. “He had a brilliant mind, and no one—neither the audience nor the musicians—could resist the force of his conviction.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eFrom this nearly complete cycle, the Ninth Symphony (1958) stands as his absolute masterpiece, closely followed by the Third (1959) and Seventh (1960), both among the finest ever recorded. His latest recording, the Fifth (1962)—made a year before his death—is slower than what our ears are accustomed to, yet it fully deserves our attention. This gradual slowing of tempo is likely linked to the progression of his illness. The recordings themselves are very fine, but the results achieved through our remastering process are beyond comparison with the originals, which had aged poorly due to early digital transfers that lacked depth in the midrange and bass.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040522268938,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverIBeethoven_SymphoniesNos.9_7_5_3byFerencFricsay_2022Remastered_Berlin1958-1962.png?v=1761726958"},{"product_id":"schumann-symphony-no-4-in-d-minor-op-120-by-wilhelm-furtwangler-2021-25-remastered-berlin-1953","title":"Schumann: Symphony No. 4 in D minor Op. 120 by Wilhelm Furtwängler (2021-25 Remastered, Berlin 1953)","description":"\u003ch2 class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eSchumann: Symphony No. 4 in D minor Op. 120\u003c\/h2\u003e\n\u003cp class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eWilhelm Furtwängler (2021-25 Remastered, Berlin 1953)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 4 track(s)\u003cbr\u003eTotal length: 00:31:24\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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recording of Schumann’s Fourth Symphony, long described as the recording of the century, often appeared in his concert programs. It is well known that during the recording session—after a series of interruptions from the sound engineers—Furtwängler’s temper flared. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eHe shouted toward the control booth: “I will tolerate no further interruptions! I shall raise my baton and conduct this symphony from beginning to end, without pause. At the first intervention from your engineers, I will stop everything and abandon this recording altogether. Please set your machines once and for all!”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eThe symphony, lasting about 32 minutes, was duly recorded in 32 minutes—and turned out to be one of the greatest ever made. Of this Fourth Symphony, Furtwängler said: “We have time; this work is absolutely worthless if played in a hurry.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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\"\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eAs in all his other interpretations of this work, the great German conductor begins with a slow and majestic introduction, gradually gaining momentum and an irresistible pace before launching into the Allegro, played here with blazing intensity. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe second movement, with its famous theme that influenced the third movement of Brahms’s Third Symphony, provides an anticlimax, featuring a delightful solo violin trio by Siegfried Borries. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe magnificent third movement (Scherzo) is performed with a sense of the inexorable that only Furtwängler could summon. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eBefore the tumultuous final movement begins, there is the famous transition passage in which Furtwängler builds the most impressive crescendo ever heard.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040522334474,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverSchumann_SymphonyNo.4inDminorOp.120byWilhelmFurtwangler_2021Remastered_Berlin1953.png?v=1761726960"},{"product_id":"schubert-deutsche-messe-d-872-by-karl-forster-2022-remastered-studio-1960","title":"Schubert: Deutsche Messe D. 872 by Karl Forster (2022 Remastered, Studio 1960)","description":"\u003ch2 class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eSchubert: Deutsche Messe D. 872\u003c\/h2\u003e\n\u003cp class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eKarl Forster (2022 Remastered, Studio 1960)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 9 track(s)\u003cbr\u003eTotal length: 00:30:59\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan data-canva-clipboard=\"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and God-fearing, Franz Schubert’s parents raised their children, like most people of their background and generation, in an atmosphere of strict piety. From his earliest childhood, music and religion were closely intertwined. His first music teacher outside the family was the choirmaster and organist of the parish church in Lichtental. Strengthened by this heritage, Schubert wrote numerous sacred works throughout his life, and spirituality is ever-present in his lieder.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe catalogue of his works includes a Deutsche Messe (“German Mass”), written in 1827. The work was given this name because it is written in German rather than Latin, as was customary for most liturgical music. During the first half of the twentieth century, the Deutsche Messe became very popular, particularly with the growing use of German-language masses. The choral movements of the Deutsche Messe remain beloved today in Austria and southern Germany.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe renowned St. Hedwig’s Cathedral Choir, under the direction of Karl Forster, demonstrates exceptional mastery of nuance and remarkable precision in articulation. This recording is clearly the definitive reference for this work.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040522400010,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverSchubert_DeutscheMesseD.872byKarlForster_2022Remastered_Studio1960.png?v=1761726962"},{"product_id":"tchaikovsky-piano-concerto-no-1-op-23-by-sviatoslav-richter-2021-remastered-leningrad-1958","title":"Tchaikovsky: Piano Concerto No. 1, Op. 23 by Sviatoslav Richter (2021 Remastered, Leningrad 1958)","description":"\u003ch2\u003eTchaikovsky: Piano Concerto No. 1, Op. 23 \u003c\/h2\u003e\n\u003cp\u003eSviatoslav Richter (2021 Remastered, Leningrad 1958)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 3 track(s)\u003cbr\u003eTotal length: \u003cspan\u003e00:33:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eGrandiose and radiating dramatic brilliance, Tchaikovsky’s Piano Concerto No. 1 is renowned for its sumptuous opening, a melody that irresistibly evokes the magnificence of Imperial Russia. For many music lovers, it stands—alongside the equally spectacular opening of Grieg’s Piano Concerto—as a symbol of Romantic music in its entirety. With the swirling theme of its introduction, Tchaikovsky launches nearly thirty minutes of Romantic piano music, during which the soloist, with sweeping, powerful gestures, renders melodies of irresistible charm, coaxing from the instrument its full, resplendent beauty.\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eSviatoslav Richter and Evgeny Mravinsky imbue their interpretation with a grandeur and aloof majesty found nowhere else. The symbiosis between soloist and conductor is absolutely perfect. Richter’s playing—of infinite virtuosity, with a lapidary, anti-theatrical power—strikes with absolute precision in every attack and an imposing, bronze-like sonority. Mravinsky’s accompaniment, aristocratic and commanding, is equally devoid of sentimentality. One readily understands what Haitink meant when he recounted seeing Evgeny Mravinsky in Leningrad, standing before his orchestra like a Prussian general.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" class=\"mb-3 text-base leading-relaxed\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040522432778,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover_Tchaikovsky_PianoConcertoNo.1_Op.23bySviatoslavRichter_2021Remastered_Leningrad1958.png?v=1761726963"},{"product_id":"dvorak-symphonies-nos-7-8-9-from-the-new-world-by-constantin-silvestri-2021-remastered-vienna-london-paris-1957-1960","title":"Dvorak: Symphonies Nos. 7,8,9 \"From the New World\" by Constantin Silvestri (2021 Remastered, Vienna, London \u0026 Paris 1957-1960)","description":"\u003ch2\u003eDvorak: Symphonies Nos. 7,8,9 \"From the New World\" \u003c\/h2\u003e\n\u003cp\u003eConstantin Silvestri (2021 Remastered, Vienna, London \u0026amp; Paris 1957-1960)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 12 track(s)\u003cbr\u003eTotal length: \u003cspan\u003e01:55:51\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWhen Constantin Silvestri died in a London hospital on 23 February 1969 at the tragically early age of 55, he had truly achieved an iconic status in the British seaside resort of Bournemouth, where in the eight years of his music directorship he had single-handedly transformed the Symphony Orchestra from a good but fundamentally locally known group into an internationally acclaimed ensemble of striking flexibility and virtuosity. At a time when, with the notable exception of Sir John Barbirolli's Hallé players in Manchester, orchestras in the British provinces were on the whole rightly or wrongly considered somewhat vin ordinaire, Silvestri's impact and influence in Bournemouth brought its orchestra a level of brilliance, sonority, charisma and discipline that was felt to be unprecedented in the town.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusicians, critics and audiences marvelled at the kaleidoscopic range of expressive colours, intense dynamic contrasts, virtuoso articulation, and — usually — outstanding precision of ensemble, all delivered within a perfectly integrated and immaculately tuned homogeneity. Silvestri had fanatically pursued these elements in his meticulously demanding rehearsals, but most significant of all was that for the audience they were the channel for interpretations of vivid imagination, white-hot temperament and deeply poetic artistry sometimes controversial but usually electrifying. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe had created a very strong impression when he made his British debut conducting the London Philharmonic Orchestra, in Vienna, at the direction of the Wiener Philharmoniker and he had also made a great impact in Paris conducting the Orchestre National de France in concerts and an EMI Classics recording of Dvořák's Symphony No.9 ('From the New World'), which won the Charles Cros Academy first prize.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040522531082,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover_Dvorak_SymphoniesNos.7_8_9_FromtheNewWorld_2021Remastered_Vienna_London_Paris1957-1960.png?v=1761726962"},{"product_id":"bach-the-transcriptions-by-leopold-stokowski-remastered-2021-new-york-1957-58","title":"Bach: The Transcriptions by Leopold Stokowski (2021 Remastered, New-York 1957-58)","description":"\u003ch2\u003eBach: The Transcriptions\u003c\/h2\u003e\n\u003cp\u003eLeopold Stokowski (2021 Remastered, New-York 1957-58)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 11 track(s)\u003cbr\u003eTotal length: 01:10:48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHere are some of Bach's most famous and beautiful works. Leopold Stokowski, a very controversial conductor, made it known to the general public thanks to Disney's Fantasia. Stokowski's transcriptions are today references that many conductors have subsequently performed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTOCCATA AND FUGUE IN D MINOR. Of all the music of Bach, this Toccata and Fugue is among the freest in form and expression. Bach was in the habit of improvising on harpsichord and organ, and his Toccata probably began as an improvisation in the church of St. Thomas in Leipzig.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePASSACAGLIA AND FUGUE IN C MINOR. The present work was originally composed for harpsichord, but Bach himself rewrote it for organ, and it is the later version which Mr. Stokowski has transcribed for orchestra. In many instances the listener feels the approach of a closing cadence in climactic crescendo—as if the composer were satisfied to end. Instead, as each of the expected \"endings\" approaches, Bach, as if tempted further by the endless possibilities of the theme, embarks on yet another variation, and yet another. The work is crowned with a gigantic double fugue (on two subjects heard simultaneously), which rises to a powerful edifice of sound.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAIR ON THE G STRING. This celebrated Aria for Strings from the Suite No. 3 in D was composed in Bach's late period, some time after 1723. It was arranged as the \"Air on the G String\" by the 19th-century violinist August Wilhelm. The melody has been termed sublime, and is one of the most beloved shorter pieces in all of Bach's work.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSHEPHERD’S SONG. The Christmas Oratorio, a cycle of six cantatas, was composed in 1734, in the composer's fiftieth year. This Shepherd's Song, or Pastoral, is the instrumental introduction to the second cantata. The serene character of the music portrays the shepherds on their night watch, just before the appearance of the Angel of the Lord (Luke 2:8).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSARABANDE (from Violin Partita in B minor, BWV 1002). The sarabande was a dance of Spanish origin and was of such a rude and wild character that it was once banned by the dour Spanish king, Philip Il. Following a mysterious path of evolution probably imposed by an unfriendly environment, the sarabande assumed a slow, subdued character, moving in courtly elegance. In his transcription Mr. Stokowski has realized the implicit harmonies and contrapuntal voices in a quiet and still-chaste cantabile for strings and woodwinds with gentle harp arpeggios.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"LITTLE\" FUGUE in G minor. In no other work of Bach is the art of the fugue so clearly defined, though short in time, the \"Little\" Fugue in G Minor has been termed by Mr. Stokowski \"one of Bach's greatest creations.\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePRELUDIO. In contrast with Mein Jesu, this Preludio, from the Partita in E major for solo violin is extrovert music. Bach's first employment was as a violinist in Weimar, and even late in life he began to play the viola. But aside from actual playing, his knowledge of the violin was encyclopedic, and this Preludio stands with some of the early, brilliant organ works as the expression of musician's delight in the mastery of an instrument. Stokowski's transcription is Bach's original played by a full string section.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBOURRÉE (from English Suite No.2, BWV 807). About 1725 Bach composed for harpsichord six suites of dance movements which have been dubbed \"English Suites.\" This Bourrée is a fast-paced example of the early French dance that was once the favorite of Louis XIV. In this orchestral setting violins and flutes carry most of the melodic burden, in the spirit of a stylish dance at the court of le roi-soleil.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKOMM, SÜSSER TOD. In it's quiet somber expression, this poignantly beautiful chorale melody conveys an acceptance, not a fear, of death. This, indeed is the personal Bach, speaking simply and directly of a deeply felt human experience.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMEIN JESU, WAS FÜR SEELENWEH BEFÄLLT DICH IN GETHSEMANE.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eBach wrote down his songs \"In Discant und Bass\"—that is, for soprano and figured bass, in a kind of musical shorthand consisting of bass notes with numerals indicating the harmony. Stokowski's symphonic transcriptions of Mein Jesu are a realization of that figured bass in terms of a string orchestra. The melody consists of two long sentences, each repeated. Nothing could be simpler than this tiny song form. Yet in the hands of Bach, it's dimensions are no measure at all of the musical content. For all its intimacy, Mein Jesu is profound and deeply moving music.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEIN’ FESTE BURG IST UNSER GOTT (from Cantata No.80, BWV 80). This, of course, is the famous old melody of Martin Luther that has remained an inspiration for generations of German composers. In the Stokowski transcription the harmonies of Bach's chorale are heard first in a stately scoring for strings and woodwinds. A second verse, in bright voicing for large brass choir, builds to a tower of magnificent sound.\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: right;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040522629386,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverBach_TheTranscriptionsbyLeopoldStokowski_Remastered2021_New-York1957-58.png?v=1761726963"},{"product_id":"holst-the-planets-op-36-by-herbert-von-karajan-remastered-2022-vienna-1961","title":"Holst: The Planets, Op. 36 by Herbert von Karajan (2022 Remastered, Vienna 1961)","description":"\u003ch2 class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eHolst: The Planets, Op. 36\u003c\/h2\u003e\n\u003cp class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eHerbert von Karajan (2022 Remastered, Vienna 1961)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 7 track(s)\u003cbr\u003eTotal length: 00:48:43\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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orchestral suite The Planets made Gustav Holst’s name well enough known for the composer to secure a lasting place in the pantheon of the classical repertoire. The work enjoys a popularity comparable to Carl Orff’s famous Carmina Burana. The music is powerful, effective, varied, and pleasing—provided one does not try to make it say more than it truly can. Jupiter, the most famous movement, has appeared in numerous films and resounds every year throughout the Commonwealth on Remembrance Day (Armistice Day). It was also heard at the funerals of Winston Churchill, Margaret Thatcher, and Lady Diana! John Williams drew heavy inspiration from Mars for his Imperial March, the iconic anthem of the Star Wars soundtrack.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eKarajan, true to himself in terms of orchestral mastery, unfolds throughout this planetary suite the magnificence of the Vienna Philharmonic, bringing out its magical timbres, emphasizing rhythmic outbursts like no one else, illuminating just as well the shimmering colors of the flute or celesta (Mercury), creating a warlike atmosphere (Mars), dancing through Jupiter, playing with Uranus the Magician, and stretching the sound space of Neptune to the point of ethereal dissolution…\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download 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1873, Modest Mussorgsky attended the commemorative exhibition of his friend Victor Hartmann, architect and painter. About 400 of Hartmann’s works were displayed in the halls of the St. Petersburg Society of Architects, and Mussorgsky composed a piano suite inspired by ten of the pieces he had seen there. Hardly anyone paid much attention to Mussorgsky’s Pictures at an Exhibition until 1922, when Ravel orchestrated it at the request of Serge Koussevitzky. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eFritz Reiner was, along with a few others, one of the most extraordinary orchestral technicians of the 20th century. Stravinsky stated in the 1950s that the Chicago Symphony Orchestra had become, thanks to Reiner, the most precise in the world… This recording fully proves him right. Transcendent virtuosity, absolute transparency of the orchestral fabric, velocity of tempos, density of sound, flawless intonation, exceptional quality of tone colors… for all these reasons, this interpretation, with its futuristic rather than romantic overtones, remains an unsurpassed reference. The sound engineering is breathtaking, and the remastering adds that “cherry on the cake” which enhances it and thus creates the definitive edition of this monument of the recording world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040522760458,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverIMussorgsky_PicturesatanExhibitionbyFritzReiner_2025Remastered_Chicago1957.png?v=1761726969"},{"product_id":"rimsky-korsakov-orchestral-works-by-the-philharmonia-orchestra-2025-remastered-london-1958-1965","title":"Rimsky-Korsakov: Orchestral Works by the Philharmonia Orchestra (2025 Remastered, London 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is a most welcome anthology, offering a gateway into the major orchestral works of Rimsky-Korsakov. Some of the greatest conductors take turns at the helm of the Philharmonia Orchestra. The remastered edition brings consistency to the sound quality of these recordings, made over a span of seven years, resulting in a cohesive listening experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eWhere Mussorgsky and Tchaikovsky urge us to understand, Rimsky-Korsakov simply invites us to see. Human drama is nearly absent from his work. He never seeks to probe the deep substance of the Russian soul—its contradictions and abysses. From Pushkin, he draws neither Boris Godunov nor Eugene Onegin, but only the world of fairy tales, magic, and legend, where characters are often symbols or puppets.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eIn this music, the orchestra sometimes becomes a spectacle in itself: the refined use of instrumental timbres and the inventive combinations capable of expressing the subtlest nuances of color conjure enchantments, spells, the elements, and the forces of nature with an almost physical presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital 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is an immense, immortal masterpiece that reaches the heights of what a human mind can conceive. If we had to present to extraterrestrials the finest achievement of our civilization, the Missa Solemnis could, by itself, represent our accomplishment in the field of musical science. The spiritual force that animates it, in which Beethoven’s transcendent faith unfolds, is above all directed toward humanity. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe Missa Solemnis can be described as a letter addressed to humankind, as shown by the notes Beethoven scattered in the margins of the original manuscript. Next to the Kyrie, we read: “From the heart — may it return to the heart!” At the beginning of the Credo, he writes: “God above all. God has never abandoned me.” After completing his Mass, he would often refer to it as “his most accomplished work.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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AZAAiADoAIgBBACIALAAiAGcAIgA6AGYAYQBsAHMAZQAsACIAaAAiADoAIgBBACIAfQBdACwAIgBCACIAOgAxADQAMAAwACwAIgBDACIAOgAxADQAMAAwAH0A\"\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eOtto Klemperer unifies the entirety of the work, resulting in a compact and grandiose block. The fugal passages of the Credo (in gloria Dei Patris), of the Gloria, and the instrumental scherzo of the Agnus Dei burst forth triumphantly, casting strength and rigor across the entire score. The tempos are broad; the recording favors the choirs, admirably shaped by Wilhelm Pitz, and the instrumental details emerge with sufficient clarity. The vocal quartet, featuring a first-rate cast, combines lightness with roughness. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe remastered edition brings more openness to the sonic image without sacrificing depth, which is in fact enhanced. The result is a striking impact of the choral parts and orchestral mass, filling the entire stereo field for an almost mystical experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040523972874,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1Beethoven_MissaSolemnis_Op.123byOthoKlemperer_2025Remastered_London1965.png?v=1761726967"},{"product_id":"elgar-introduction-and-allegro-serenade-elegy-sospiri-by-sir-john-barbirolli-2025-remastered-london-1962-1966","title":"Elgar: Introduction and Allegro, Serenade, Elegy \u0026 Sospiri by Sir John Barbirolli (2025 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is truly one of the greatest recordings ever made of English music for string orchestra. Sir John Barbirolli’s interpretations have remained unsurpassed for several decades. He recorded Introduction and Allegro no fewer than five times, and his first version (1927) was praised by Elgar himself. In his final version, reissued here, Sir John clearly conveys his deep affection for the score. For this work, he is joined by the Allegri String Quartet, the oldest active chamber ensemble in Britain. The Serenade is likewise warm and full of feeling, and the shorter pieces are also beautifully shaped.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eAmo\u003c\/span\u003e\u003cspan\u003eng orchestral families, the strings are perhaps the most vulnerable in the digital transfer process. The violin section—especially in the upper register—can quickly lose its warmth and become harsh to the ear. A high-quality remastering preserves the warmth of the strings across the entire frequency range and ensures a pleasing listening experience. That is precisely the case with this edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524071178,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1Elgar_IntroductionandAllegro_Serenade_Elegy_SospiribySirJohnBarbirolli_2025Remastered_London1962-1966.png?v=1761726970"},{"product_id":"haydn-missa-sanctae-caeciliae-by-eugen-jochum-2024-remastered-studio-1959","title":"Haydn: Missa Sanctae Caeciliae by Eugen Jochum (2024 Remastered, Studio 1959)","description":"\u003ch2\u003eHaydn: Missa Sanctae Caeciliae\u003c\/h2\u003e\n\u003cp\u003eEugen Jochum (2024 Remastered, Studio 1959)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) 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Jochum’s version is excellent. It leans more towards classicism than certain so-called baroque interpretations, which often adopt tempos that are too fast. What emerges is a grandiose Mass with a palpable spiritual atmosphere.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eHaydn’s Mass \"of Saint Cecilia\" is in fact dedicated to the Virgin Mary; its original title was Missa Cellensis in honorem Beatissimae Virginis Mariae. The Latin term Cellensis refers to the sanctuary of Mariazell (Zell meaning Celle), a pilgrimage site under the protection of the Esterházy family, for whom Haydn worked. It is only recently that musicologists—H. C. Robbins Landon in particular—have been able to date the work precisely to 1766. This mass stands as a majestic prelude to the long series of religious compositions that were to follow in Haydn’s oeuvre.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eHaydn introduced several innovations in this Mass, notably the slow, symphonic introduction at the beginning of the Kyrie, built on the lower voices of both choir and orchestra. The fugues are marked by strong rhythmic drive and syncopation (Gloria: X. Cum Sancto Spiritu In Gloria Dei Patris), while the solo passages display a distinctly theatrical character. As such, this Mass can be seen as a transitional work, bridging Haydn’s early and later sacred compositions.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524103946,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1Haydn_MissaSanctaeCaeciliaebyEugenJochum_2024Remastered_Studio1959.png?v=1761726970"},{"product_id":"shostakovich-symphony-no-5-by-evgeny-mravinsky-2025-remastered-live-at-vienna-1978","title":"Shostakovich: Symphony No. 5 by Evgeny Mravinsky (2025 Remastered, Live at Vienna 1978)","description":"\u003ch2\u003eShostakovich: Symphony No. 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Fifth Symphony is the most representative of his symphonies, for those who wish to later explore the full monument constituted by the complete opus. It contains the full range of the composer’s emotional palette, allowing us to hear bitterness, anguish, parodic grimaces, despairing meditation, rumblings of revolt, and bursts of defiance. It is also entirely permeated by the conflicts experienced by Shostakovich, who was forced by Stalinist power to reorient his aesthetic concerns.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eIt was to Mravinsky that Shostakovich entrusted the premiere of the Fifth. The head of the Leningrad Philharmonic always remained at the forefront in this repertoire. From the outset, one is struck by the crushing weight of tension, the surgical precision of the attacks and articulation, the absolute clarity of the orchestral texture, the perfect coherence of the architecture linking the four movements, and finally, the tragic grandeur of the sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThis recording, captured during a live concert in Vienna, benefits from an all-new remastering that naturally enhances the vivid atmosphere unique to a live performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524169482,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1Shostakovich_SymphonyNo.5byEvgenyMravinsky_2025Remastered_LiveatVienna1978.png?v=1761726973"},{"product_id":"tchaikovsky-piano-concerto-no-1-by-emil-gilels-2021-remastered-chicago-1955","title":"Tchaikovsky: Piano Concerto No. 1 by Emil Gilels (2021 Remastered, Chicago 1955)","description":"\u003ch2\u003eTchaikovsky: Piano Concerto No. 1 \u003c\/h2\u003e\n\u003cp\u003eEmil Gilels (2021 Remastered, Chicago 1955)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 3 track(s)\u003cbr\u003eTotal length: 00:33:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe summit conference at Geneva in July 1955 undoubtedly helped to bring Soviet Russia's foremost pianist, Emil Gilels, to the United States three months later for a short but dazzling concert tour. Mr. Gilels proved to be a most extraordinary musician, one who could project all the power and poetry that is associated with the great Slavic pianists.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan dir=\"auto\" class=\"yt-core-attributed-string--link-inherit-color\"\u003eWhether in the first movement's bombastic cascades of octaves (which he performed with no slackening of tempo), or in the fleet, delicate arabesques of the second movement, Mr. Gilels demonstrated that his fingers were equal to the composer's cruelest demands. Another part of the miracle could be explained in terms of interpretative poetry. This pianist had fingers that were able to do more than send forth powerful volleys of notes; they could also enunciate a cantabile melody with sweet compulsion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan dir=\"auto\" class=\"yt-core-attributed-string--link-inherit-color\"\u003eEmil Gilels arrived in Chicago to record the concerto with Fritz Reiner and the Chicago Symphony Orchestra. It was a cold, wet Saturday morning. At 9:30\u003c\/span\u003e\u003cspan dir=\"auto\" class=\"yt-core-attributed-string--link-inherit-color\"\u003e, when the orchestra men began to unpack their instruments and tune up, the microphones and recording equipment had already been installed in Orchestra Hall and the chief protagonists of the occasion—the pianist and the conductor—were busy thumbing through a score, exchanging opinions in German (the one language they have in common) on tempos and dynamics. (...) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"auto\" class=\"yt-core-attributed-string--link-inherit-color\"\u003eAfter more than five hours of continuous recording and playback, Mr. Gilels and Dr. Reiner declared themselves satisfied. The orchestra was dismissed, the equipment was dismantled, and the reels of magnetic tape were packed for shipment to New York. Within a month this recorded memento of Emil Gilels' first American tour was available to the public.\u003c\/span\u003e\u003cspan dir=\"auto\" class=\"yt-core-attributed-string--link-inherit-color\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan dir=\"auto\" class=\"yt-core-attributed-string--link-inherit-color\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524300554,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverTchaikovsky_PianoConcertoNo.1byEmilGilels_2021Remastered_Chicago1955.png?v=1761726977"},{"product_id":"sacralatti-13-keyboard-sonatas-by-dubravka-tomsic-2020-remastered-studio-1992","title":"Scarlatti: 13 Keyboard Sonatas by Dubravka Tomšič (2020 Remastered, Studio 1992)","description":"\u003ch2\u003eScarlatti : 13 Keyboard Sonatas\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDubravka Tomšič\u003c\/span\u003e (2020 Remastered, Studio 1992)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 13 track(s)\u003cbr\u003eTotal length: 00:53:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eScarlatti composed over 600\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eesercizi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(sonatas) and other pieces for harpsichord; most are meticulously crafted—short, lively, and melodious works written in the forms of contemporary dances. He liberated harpsichord music from the polyphonic constraints of the Baroque era, employing extensively broken chords, arpeggios, and even tremolo effects. His inspiration appears to have drawn primarily from the Italian music of his time and from Spanish folk dances. Many of his small pieces have been arranged into concert suites for piano. In 1956, three previously unknown Scarlatti sonatas were even discovered at the British Museum, believed to have been composed during the composer’s stay at the court of Queen Maria Barbara of Spain.\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDubravka Tomšič\u003c\/span\u003e is a pianist’s pianist—a name little known outside classical music circles, yet frequently cited among the world’s finest players. At the keyboard, her reserved demeanor belies the expressiveness of her playing. Celebrated for the rich variety of tonal colors she coaxes from the piano and for the power and delicacy of her trills, Tomsic delivers performances often described as “seamless.” Her “dazzling technique,” noted the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBoston Phoenix\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eafter a concert that concluded only after five encores, “is never an end in itself, but a means to achieve emotional candor and poetic suggestion.”\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\" style=\"text-align: right;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524366090,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverScarlatti_13KeyboardSonatasbyDubravkaTomsic_2020Remastered_Studio1992.png?v=1761726977"},{"product_id":"rachmaninoff-by-rubinstein-piano-concerto-no-2-rhapsody-on-a-theme-of-paganini-2021-remastered-chicago-1956","title":"Rachmaninoff by Rubinstein: Piano Concerto No. 2, Rhapsody on a theme of Paganini (2021 Remastered, Chicago 1956)","description":"\u003ch2\u003eRachmaninoff: Piano Concerto No. 2, Rhapsody on a theme of Paganini\u003c\/h2\u003e\n\u003cp\u003eRubinstein (2021 Remastered, Chicago 1956)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 4 track(s)\u003cbr\u003eTotal length: 00:56:23\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe circumstances surrounding the composition of Rachmaninoff s Concerto No. 2 are by now so well known that they barely need restatement here. The failure of his Symphony No. I at its premiere in 1897— owing largely to the ineptitude of the conductor, not to any flaws in the work itself—sent Rachmaninoff into serious creative despair. Finally he sought therapy from a Dr. Nikolai Dahl, who practiced a primitive form of autosuggestion on the composer.\u003c\/p\u003e\n\u003cp\u003eIt is likely that Dr. Dahl, as an amateur violinist and a man of considerable human sympathies, personally influenced Rachmaninoff as much as did his medical treatment. It was not  long before Rachmaninoff embarked on his Second Concerto, completing the second and third movements in the autumn of 1900. A year later the entire work was premiered with outstanding success, and its publication bore a dedication to Dr. Dahl.\u003c\/p\u003e\n\u003cp\u003eAfter his exile from Russia following the Bolshevik Revolution, Rachmaninoff launched a new career as a concert pianist, maintaining homes in the United States and in Switzerland. His output as a composer diminished in quantity but not quality, and in the summer of 1934 he  quickly wrote a set of 24 variations for piano and orchestra based on the last of Niccolò Paganini's solo violin caprices. \u003c\/p\u003e\n\u003cp\u003eHe chose to label the  piece \"Rhapsody\" rather than merely \"Variations\"; a clever inversion of the Paganini theme, transposed to D-flat Major, forms the famous 18th Variation, whose impact calls to mind the sweeping melodic writing of   many of his earlier works. Rachmaninoff himself gave the premiere in Baltimore on November 7, 1934.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524398858,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverRachmaninoffbyRubinstein_PianoConcertoNo.2_RhapsodyonathemeofPaganini_2021Remastered_Chicago1956.png?v=1761726975"},{"product_id":"dvorak-requiem-op-89-by-karel-ancerl-2021-remastered-praga-1959","title":"Dvorak: Requiem Op. 89 by Karel Ancerl (2021 Remastered, Praga 1959)","description":"\u003ch2\u003eDvorak: Requiem Op. 89 \u003c\/h2\u003e\n\u003cp\u003eKarel Ancerl (2021 Remastered, Praga 1959)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 13 track(s)\u003cbr\u003eTotal length: 01:35:54\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIf in his symphonic, chamber and song production \u003cmeta charset=\"utf-8\"\u003eDvořák personifies the archetypal giver of joy, the harbinger of life's bright side, in his sacred compositions he moves the listener by the sheer profundity and intimacy of contemplation, a sharp focus he achieved through inspiration by the content of ecclesiastic text. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe idea of writing a \"solemn mass\" (as its autograph score is subtitled) was born from his aspiration to make his own statement on the crucial theme of life and death, while he himself stood on the threshold of his fiftieth year, an age that was in his time regarded as being synonymous with the peak of creative powers, yet at the same time as a borderline beyond which lay the actual old age, with its wisdom as well as its trappings. To Dvořák, the music of Requiem amounted to a summary of his personal philosophy of life, and simultaneously, a heartfelt confession of his own profound and sincere if unostentatious religious faith.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShowing no compassion for the soloists, he supplies them with parts that are exacting as regards both duration and extreme playing difficulty (involving interval skips and frequent low positions), bringing the work's solo performance ambitions to a climax in the twenty-three-bar a cappella soprano, contralto and tenor solo, in the Pie Jesu part. Dvořák's music is supremely effective both in passages of high drama (Dies irae), and in predominantly meditative ones. In Requiem, he left behind a work whose genuine spirituality has no peer in the entire 19 th-century Czech music production.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524628234,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverDvorak_RequiemOp.89byKarelAncerl_2021Remastered_Praga1959.png?v=1761726977"},{"product_id":"chopin-by-rubinstein-51-mazurkas-2021-remastered-london-1938-1939","title":"Chopin: 51 Mazurkas by Rubinstein (2021 Remastered, London 1938-1939)","description":"\u003ch2\u003eChopin : 51 Mazurkas\u003c\/h2\u003e\n\u003cp\u003eRubinstein (2021 Remastered, London 1938-1939)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 51 track(s)\u003cbr\u003eTotal length: 01:59:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eArthur Rubinstein’s innate ease had allowed him to acquire a vast repertoire and perform it with flair and vitality. However, the fact that he had never undergone prolonged study under a great piano master led his interpretations to become erratic, even thoughtless, and his brilliant technique to grow inconsistent. In 1932, however, Rubinstein finally married and settled in Paris. It was time to pause and reflect.\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eHe\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"font-semibold\"\u003ere-studied\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ehis repertoire, adding and subtracting elements, and rebuilt his technique. This was a heroic undertaking for an artist in his forties, especially “an artist who had already enjoyed considerable public success.” And it was fully justified, for in time it became evident to connoisseurs, critics, and fellow musicians that Rubinstein’s astonishing interpretive and performing powers were finally being used to their fullest potential. Thus, he began to be recognized as one of the greatest pianists of the 20th century.\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eThe entire long series of Mazurkas, recorded in 1938–39, reveals a balance—almost unique to this pianist—between spontaneous feeling and mature reflection embodied in these performances. Rubinstein’s communicative fire remains ever apparent, in the rich and always personal tone he produces in the Mazurkas, capable of great nuance. There would be no mazurkas without Polish folk dances and music.\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eWith his mazurkas, Chopin forged an unrivaled model of musical stylization of traditional, national, and authentic folk repertoire. Chopin composed mazurkas throughout his life, from around 1825 (at the age of fifteen) to 1849. These miniatures became an important collection of the composer’s most personal musical utterances—a lyrical “diary” of his life. Perhaps more than in any other works, it is in the mazurkas that Chopin invites the listener into his “sanctuary of the heart.”\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\" style=\"text-align: right;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524661002,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverChopinbyRubinstein_51Mazurkas_2021Remastered_London1938-1939.png?v=1761726981"},{"product_id":"brahms-piano-concerto-no-2-by-emil-gilels-2021-remastered-chicago-1958","title":"Brahms: Piano Concerto No. 2 by Emil Gilels (2021 Remastered, Chicago 1958)","description":"\u003ch2\u003eBrahms: Piano Concerto No. 2 \u003c\/h2\u003e\n\u003cp\u003eEmil Gilels (2021 Remastered, Chicago 1958)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 4 track(s)\u003cbr\u003eTotal length: 00:45:12\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003e \u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eThe first sketches for \u003cmeta charset=\"utf-8\"\u003ePiano Concerto No. 2 in B-flat Major, Op. 83 date back to the spring of 1878, shortly after Brahms had returned from a trip to Italy. However, the composition of the Violin Concerto occupied him for almost the entire summer, and it was only after a second trip to Italy that he resumed work on this piece during a stay in Pressbaum, near Vienna, in 1881. The work was first performed in November 1881, with Brahms at the piano and Alexander Erkel conducting. The score was not published until September 1882. In March of that year, he wrote to his publisher: “I don’t understand why there should be such a rush for the concerto. It rests here quite comfortably with me and disturbs no one.”\u003c\/p\u003e\n\u003cp class=\"mb-3 text-base leading-relaxed\"\u003eThis concerto differs from others in that it is composed of four movements. Even more than in the D minor concerto, Brahms fused the piano part with that of the orchestra in such a way that, if the soloist does not possess extraordinary strength, the piano can easily be drowned out by the orchestra. Emil Gilels is renowned for the perfection of his performances and the typically Russian vigor of his playing. He also possessed exceptional sensitivity and profound musical insight. All these qualities make him one of the finest interpreters of Brahms’s piano concertos.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\" class=\"mb-3 text-base leading-relaxed\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524726538,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverBrahms_PianoConcertoNo.2_2021Remastered_Chicago1958.png?v=1761726978"},{"product_id":"bach-the-cello-suites-by-janos-starker-2021-remastered-london-1957-1959","title":"Bach: The Cello Suites by János Starker (2021 Remastered, London 1957-1959)","description":"\u003ch2\u003eBach: The Cello Suites\u003c\/h2\u003e\n\u003cp\u003eJános Starker (2021 Remastered, London 1957-1959)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 36 track(s)\u003cbr\u003eTotal length: 01:54:47\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBach's violin cycle is answered by the Six Suites for Solo Cello: the exact date of composition is unknown, but it is assumed that they were composed for two cellists of the Köthen orchestra, between 1718 and 1723. Once again, Bach does not completely innovate, as several Italian composers had already composed for the solo instrument at that time, but he does take an important step forward for this instrument, which was still new at the time and on the way to supplanting the viola da gamba, and which was very much present in Bach's own works, especially in its role as continuo (sonatas, recitatives and cantata arias, etc.). \u003c\/p\u003e\n\u003cp\u003eAlthough introduced by a Prelude, the Suites stick to the traditional scheme of the suite of dances, in the manner of the English Suites, varying like them the structure and form of this initial prelude. Virtuosic, lyrical and expressive in the slow movements (Sarabandes), these Suites by Bach (who did not compose any concertante works for cello: it was not until Haydn and Boccherini that he did so) undeniably constitute the basis of the modern repertoire for the instrument.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom 1957 until 1959, Starker recorded his first complete Bach Suites for His Master's Voice, a set that he recorded five times during his career. During these four years, Lege recorded most of his repertoire with the Hungarian cellist, a legacy of near perfection. This first recording of the Suites is unanimously regarded as one of the best recordings of this booklet. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524792074,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverBach_TheCelloSuitesbyJanosStarker_2021Remastered_London1957-1959.png?v=1762108861"},{"product_id":"maunder-olivet-to-calvary-by-barry-rose-2025-remastered-guildford-1964","title":"Maunder: Olivet to Calvary by Barry Rose (2025 Remastered, Guildford 1964)","description":"\u003ch2\u003eMaunder: Olivet to Calvary\u003c\/h2\u003e\n\u003cp\u003eBarry Rose (2025 Remastered, Guildford 1964)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 23 track(s)\u003cbr\u003eTotal length: \u003cspan\u003e01:04:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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the spring of 33 C.E., Jesus Christ was executed. He had been falsely charged with sedition, savagely beaten, and nailed to the wood. He died in excruciating pain. But God raised him back to life, and 40 days later, Jesus ascended to heaven. Unlike fanciful legends, the Gospel writings reflect painstaking accuracy and attention to detail. For example, they abound with names of real places, many of which can be visited today. They tell about real people, whose existence has been corroborated by secular historians (Tacitus, Suetonius, Jewish historian Josephus, Pliny the Younger..).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eJohn Henry Maunder was born in Chelsea in 1858 and studied at the Royal Academy of Music. He served as organist and choirmaster\u003c\/span\u003e\u003cspan\u003e at several churches on the outskirts of London. Of his sacred music output, the work “Olivet to Calvary” seems to have passed into posterity. Published in 1904, Olivet to Calvary is described on its title page as “a sacred cantata, recalling some of the incidents in the last days of the Saviour’s life on earth.” Despite such criticism, Olivet to Calvary has experienced renewed interest in recent years. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe occasional saturation is due to the recording, not the remastering process. Nevertheless, the beauty of the choruses and the power of the organ are remarkably intelligible.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040524857610,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1-Maunder_OlivettoCalvarybyBarryRose_2025Remastered_Guildford1964.png?v=1761726983"},{"product_id":"schubert-die-schone-mullerin-d-795-by-fritz-wunderlich-2025-remastered-munchen-1965","title":"Schubert: Die schöne Müllerin, D. 795 by Fritz Wunderlich (2025 Remastered, München 1965)","description":"\u003ch2\u003eSchubert: Die schöne Müllerin, D. 795\u003c\/h2\u003e\n\u003cp\u003eFritz Wunderlich (2025 Remastered, 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two months before Fritz Wunderlich’s death, this performance captivates from the moment the famous tenor begins the first Lied, Das Wandern. The warmth of his tone, the precision of his diction, the elegance of the phrasing—so delicately refined, adorned with the slightest inflection that highlights a word, a syllable, a feeling… \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe voice is uniformly beautiful, and the singing maintains a similarly uniform mezzo dynamic. Although the listener never truly feels that this cycle is tragic, the sheer beauty of the performance places this recording easily among the greatest versions ever made of the work.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe remastering offers improved separation between voice and piano. The result is clear and remarkably natural.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040525119754,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1-Schubert_DieschoneMullerin_D.795byFritzWunderlich_2025Remastered_Munchen1965.png?v=1761726985"},{"product_id":"puccini-la-boheme-by-thomas-schippers-2024-remastered-roma-1962-1963","title":"Puccini: La Bohème by Thomas Schippers (2024 Remastered, Roma 1962-1963)","description":"\u003ch2\u003ePuccini: La Bohème\u003c\/h2\u003e\n\u003cp\u003eThomas Schippers (2024 Remastered, Roma 1962-1963)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 36 track(s)\u003cbr\u003eTotal length: 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Bohème is undoubtedly the Puccini opera that feels the most spontaneous in its expression of emotion, and the most colorful in its contrasts—between brotherly camaraderie, intimacy, lively festival scenes, cheerfulness, and melancholy. The recording made by Thomas Schippers remains little known, yet both the vocal cast and the orchestral direction come remarkably close to an ideal that is hard to surpass.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eMirella Freni—just to speak of her—may well be the \"Mimi\" of the century. Best known for the version under Karajan alongside Pavarotti, this earlier recording predates\u003c\/span\u003e\u003cspan\u003e it by ten years and already showcases a complete palette of expression, ranging from fragile romantic exaltation to the anguish that leads her inexorably down the cruel path of her fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe sound quality is sumptuous—these were, after all, the great years of Abbey Road Studios. We can only recommend this Bohème, one of the most stunning recordings ever devoted to this masterpiece. Thank you, Walter Legge.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040525152522,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1-Puccini_LaBohemebyThomasSchippers_2024Remastered_Roma1962-1963.png?v=1761726985"},{"product_id":"djabadary-georgian-rhapsody-piano-concerto-by-louis-de-froment-henri-goraieb-2024-remastered-luxembourg-1980","title":"Djabadary: Georgian Rhapsody, Piano Concerto by Louis de Froment \u0026 Henri Goraieb (2024 Remastered, Luxembourg 1980)","description":"\u003ch2\u003eDjabadary: Georgian Rhapsody, Piano Concerto\u003c\/h2\u003e\n\u003cp\u003eLouis de Froment \u0026amp; Henri Goraieb (2024 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WORST Piano Concerto Ever Written. Such was the nickname given to the piano concerto by Heraclius Djabadary (1791-1937) by a famous critic. It's nothing of the sort. This Georgian music is imbued with Orientalism—particularly Persian influences—especially in the Maestoso. As for the sublime second movement, it seems to echo the slow movement of Grieg’s Piano Concerto.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe Georgian Rhapsody, Op. 2, transports listeners to ancient Georgia through its rich oriental colorations, vibrant rhythms, and brilliant orchestration. The music reflects the soul of Georgia, blending its serene beauty, nostalgic longing, and frenzied joy in dance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe Serpent’s Melody for Orchestra in F Minor, Op. 19. This orchestral piece captures the hypnotic and monotonous song of the flute, which lures the serpent from its lair and keeps it entranced until its final surrender.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eTiflisiana (or Tbilissiana) for Orchestra in B-flat Minor, Op. 26. A dance of purely Georgian origin, Tiflisiana is built upon a traditional folk theme and celebrates the vibrant cultural heritage of Djabadary’s homeland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040525218058,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1-Djabadary_GeorgianRhapsody_PianoConcertobyLouisdeFroment_HenriGoraieb_2024Remastered_Luxembourg1980.png?v=1761726983"},{"product_id":"brahms-string-sextet-no-1-in-b-flat-major-op-18-by-the-berlin-philharmonic-octet-2025-remastered-berlin-1966","title":"Brahms: String Sextet No. 1 in B-flat Major, Op. 18 by the Berlin Philharmonic Octet (2025 Remastered, Berlin 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string sextet by Johannes Brahms (1833–1897) was published in 1861. This youthful work quickly gained favor with both the public and the press (\"one of the finest pieces by the young composer\") from its earliest performances in the spring of 1861. It is a highly lyrical work, full of freshness and poetry, revealing a smiling, light-hearted Brahms. Nicknamed the “Spring Sextet,” the first two movements have a pastoral character. However, the work as a whole, with its simple yet noble themes, reveals more of the composer’s soul than a spring landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe Berlin ensemble delivers a robust, dynamic, and cohesive interpretation. Tempos are steady, and the phrasing is direct and restrained. The sound is remarkably full. It is a perfectly executed performance of high technical quality, elevated further by the remastering, which adds warmth and depth. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040525316362,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover1-Brahms_StringSextetNo.1inB-flatMajor_Op.18bytheBerlinPhilharmonicOctet_2025Remastered_Berlin1966.png?v=1761726984"},{"product_id":"rachmaninoff-plays-rachmaninoff-the-4-piano-concertos-rhapsody-on-a-theme-of-paganini-remastered-2021","title":"Rachmaninoff plays Rachmaninoff: The 4 Piano Concertos, Rhapsody on a Theme of Paganini (2021 Remastered Philadelphia 1929-1941)","description":"\u003ch2\u003eRachmaninoff : The 4 Piano Concertos, Rhapsody on a Theme of Paganini\u003c\/h2\u003e\n\u003cp\u003eRachmaninoff plays Rachmaninoff (2021 Remastered \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePhiladelphia 1929-1941\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 13 track(s)\u003cbr\u003eTotal length: 02:17:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRachmaninoff playing his concertos is a model of severity, power and expressive subtlety. The Philadelphia Orchestra responds to Rachmaninoff's lapidary and majestic playing with a soaring, voluptuous and mysterious sound. The ghostly slow movement is an example of the perfect osmosis between conductor and pianist. These documents are essential, and we warmly invite all those who love Rachmaninoff’s concertos to listen to them performed by the composer himself.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCritics and musicians talk of his rhythmic clarity and energy, his muscular strength and elegance (more than one writer uses the word \"aristocratic\"), and particularly his strong formal grasp of whatever he played. He would study a work on many levels, adding the understanding of a composer to that of a performer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe believed strongly that in a great piece of music there was only one real climax, and he would strive to relate everything to that culminating point. According to more than one witness, the heaviest charge he could bring against himself after a performance was, ‘’I missed the point!\" No good pleading with him that this or that part was excellent—either the whole made sense, or nothing did.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen he heard Rachmaninoff play, Rubinstein felt him  to be \"a pianist after my heart. He was superlative when he played his own music. A performance of his concertos could make you believe that they were the greatest masterpieces ever written, while when played by other pianists, even at their best, they became clearly what they were: brilliantly written pieces with their Oriental languor which have retained a great hold on the public. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040525545738,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverRachmaninoffplaysRachmaninoff_The4PianoConcertos_RhapsodyonaThemeofPaganini.png?v=1762112630"},{"product_id":"scriabin-by-joseph-villa-poemes-mazurkas-etudes-sonatas-tribute-edition","title":"Scriabin by Joseph Villa: Poèmes, Mazurkas, Études, Sonatas.. (Tribute Edition)","description":"\u003ch2\u003eScriabin: Poèmes, Mazurkas, Études, Sonatas .. \u003c\/h2\u003e\n\u003cp\u003eJoseph Villa (Tribute Edition)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 40 track(s)\u003cbr\u003eTotal length: 02:05:55\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe honour a pianist of immense talent, who left us too soon and who, to our knowledge, was the interpreter of the last part of the 20th century most possessed by the world of Scriabin (we recommend the excellent review by 'The Piano Files': \u003c\/span\u003e\u003cspan class=\"\" dir=\"auto\"\u003e\u003ca class=\"yt-core-attributed-string__link yt-core-attributed-string__link--call-to-action-color\" href=\"https:\/\/www.youtube.com\/redirect?event=comments\u0026amp;redir_token=QUFFLUhqbG1aRkFkeTRfbEVQM0dzQVl6Y3Q0a0lnS2Zzd3xBQ3Jtc0ttZlUxX3N2NC1HWTJLdXNEQkljdmpWTjMxOVh6a3Jrbm9tUTA4RUpydkxBVjdkV085Q1pLUWlaZndaaGRhSlEzbkxtOW1Lcmx1cGpGejlhXzh1MWpKZW5Dck90RE5PMDFPUTM3b0VtU1M0X09BQkF6TQ\u0026amp;q=https%3A%2F%2Fwww.thepianofiles.com%2Fremembering-joseph-villa%2F%29\" rel=\"nofollow\" tabindex=\"0\" target=\"_blank\"\u003ehttps:\/\/www.thepianofiles.com\/remembering-joseph-villa\/\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithout making us forget the legendary Vladimir Sofronitsky (we are in the process of compiling and remastering his best Scriabin recordings to present them to you), Joseph Villa was not one of Claudio Arrau's last pupils without reason. Like his master, his pianistic touch is of infinite poetry. His technique is terrific, and his palette of expression and sonorities are of a permanent creativity. He was supposed to record the complete works of Scriabin, but these two hours of recordings allow us to measure the extent of his talent. We begin to enter Scriabin's world through the easy door with poems and short pieces. Then the Mazurkas, easily accessible, take over. Finally, the etudes begin to reveal the world of maturity of the Scriabinian world to finally give way to the sonatas, a universe where the exploration is endless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040525578506,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/Cover_ScriabinbyJosephVilla_Poemes_Mazurkas_Etudes_Sonatas.._TributeEdition.png?v=1761726987"},{"product_id":"chopin-complete-polonaises-by-halina-czerny-stefanska-remastered-2021","title":"Chopin: Complete Polonaises by Halina Czerny-Stefanska (2021 Remastered, Warsaw 1959-1960)","description":"\u003ch2\u003eChopin: Complete Polonaises\u003c\/h2\u003e\n\u003cp\u003eHalina Czerny-Stefanska (2021 Remastered, Warsaw 1959-1960)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 17 track(s)\u003cbr\u003eTotal length: 02:10:09\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIt is highly significant that the polonaises were Chopin's first compositions: towards the end of the 18th century the polonaise was elevated to the rank of the national dance, of symbolic significance and much cherished following Poland's loss of independence in 1795. Reigning supreme in the Warsaw salons of the time were the compositions by Jözef Eisner, Chopin's future teacher at the Main School of Music, as well as by Maria Szymanowska, Karol Kurpifiski and Michal Kleofas Ogiriski, whose polonaises reflected the sentiments of his time.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHalina Czerny-Stefańska (1922-2001) comes from a musical family in Kraköw, southern Poland. She studied with her father, Stanislaw Czerny, and subsequently, with Alfred Cortot, Józef Turczyński and Zbigniew Drzewiecki. She won First Prize and the Prize for the best interpretation of a mazurka at the 4th International Chopin Competition in Warsaw in 1949. She has performed extensively in Poland and abroad. She is regularly on the jury of international piano competitions (the Chopin Competition in Warsaw, the Artur Rubinstein Competition in Tel-Aviv, the Hummel Competition in Bratislava, the Sibelius Competition in Helsinki). She also has to her credit recordings for the following labels: Deutsche Grammophon, Decca, His Master's Voice, RCA and Polskie Nagrania. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLudwik Stefański (1917—1982), pianist and pedagogue, began his piano studies at the Wladyslaw Zeleński School of Music in Kraköw. He furthered his education at the Conservatory in Bologna (Italy) and at N. Rossi's master classes. Upon returning to Poland in 1939, Ludwik Stefański became a professor at the State Higher Schools of Music in Kraköw and Wroclaw. He also pursued an extensive concert carrer, often performing with his wife, pianist Halina Czerny-Stefańska.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040525644042,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverChopin_CompletePolonaisesbyHalinaCzerny-Stefanska.png?v=1762110121"},{"product_id":"mozart-piano-concertos-nos-20-23-by-geza-anda-2025-remastered-salzburg-1961-1964","title":"Mozart: Piano Concertos Nos. 20-23 by Géza Anda (2025 Remastered, Salzburg 1961-1964)","description":"\u003ch2\u003eMozart: Piano Concertos Nos. 20-23\u003c\/h2\u003e\n\u003cp\u003eGéza Anda (2025 Remastered, Salzburg 1961-1964)\u003c\/p\u003e\n\u003cp\u003e2 disc(s) - 12 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remastered edition of Piano Concertos Nos. 20 to 23 is taken from the famous complete recording that Géza Anda made for Deutsche Grammophon. The pianist delivers a performance with a well-defined touch that is both richly toned and remarkably delicate. The balance between grace and tragedy is perfectly achieved, revealing Mozart’s shifting states of mind. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe orchestra never feels heavy, yet it remains ever-present, guiding the way—as beautifully demonstrated by the orchestral prelude to Concerto No. 20, K. 466, one of the finest in the discography.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe Andante of K. 467 is also a benchmark interpretation. One must listen to the heartbeat-like pulse from the lower strings, accompanied by a piano imbued with reverie and nostalgia, achieving a perfect equilibrium. The magnificent Concerto No. 22, K. 482, shines with youthful lightness, while the 23rd showcases the refinement and elegance that are hallmarks of Mozart’s writing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThis edition provides greater depth in the lower midrange and softens the harsh high frequencies of the string playing, offering a more comfortable listening experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital 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Walter is not a conductor who seeks to impress, but he is renowned for the poetic and thoughtful quality of his interpretations. He is an incomparable interpreter of the music of his master, Gustav Mahler. His trademark was a serene approach to conducting, calling the musicians \"his friends\" and never positioning himself as an authoritarian leader. Videos show him conducting his musicians with empathy, a very lively and expressive gaze, and a particularly active left hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eHis recording of Mahler’s 9th Symphony with the Columbia Orchestra cannot overshadow the earlier one with Vienna. However, listening to it proves deeply moving (from the very beginning of the first movement), and rarely has the complexity of Mahler’s writing been explored to such an extent. An analytical interpretation in the most positive sense of the term. The remastered edition provides all the depth and foundation in the lower and midrange frequencies that a work of such orchestral magnitude demands.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040525807882,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverI-Mahler_SymphonyNo.9byBrunoWalter_2024Remastered_Hollywood1961.png?v=1761726988"},{"product_id":"liszt-piano-concertos-1-2-by-sviatoslav-richter-2024-remastered-london-1961","title":"Liszt: Piano Concertos 1 \u0026 2 by Sviatoslav Richter (2024 Remastered, London 1961)","description":"\u003ch2\u003eLiszt: Piano Concertos 1 \u0026amp; 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piano concertos break away from the classical form, being performed in a single, uninterrupted movement. In the First Concerto, the initial seven notes, proclaimed imperiously by the full orchestra before the piano’s dramatic entrance, take on a rhapsodic character and embody a grand variation, foreshadowing César Franck’s Variations symphoniques. In this regard, the Concerto in E-flat major is revolutionary, and the Second Concerto in A major further develops this organic transformation of thematic material through its seven seamlessly connected movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe duet Sviatoslav Richter \/ Kirill Kondrashin comes very close to offering us THE definitive version of the Piano Concerto No. 2. This is a free, open, and noble version in which Richter engages in an intense struggle to delve into the text at its deepest level. The orchestra displays strength and grandeur, triumphal yet capable of achieving remarkable cantabile.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040526004490,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverI-Liszt_PianoConcertos1_2bySviatoslavRichter_2024Remastered_London1961.png?v=1761726990"},{"product_id":"beethoven-trio-op-97-archduke-by-eugene-istomin-isaac-stern-and-leonard-rose-2024-remastered-1965-winterthur","title":"Beethoven: Trio, Op. 97 Archduke by Eugene Istomin, Isaac Stern and Leonard Rose (2024 Remastered, 1965 Winterthur)","description":"\u003ch2\u003eBeethoven: Trio, Op. 97 Archduke\u003c\/h2\u003e\n\u003cp\u003eEugene Istomin, Isaac Stern and Leonard Rose (2024 Remastered, 1965 Winterthur)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 4 track(s)\u003cbr\u003eTotal length: 00:40:55\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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chamber music includes some of the finest works ever written for this repertoire. The andante cantabile of Op. 97 is one of the most beautiful pre-romantic reveries to emerge from the composer's imagination. It is this third movement, in which, according to Beethoven, \"happiness metamorphoses into emotion, suffering, prayer...\", that elevates this trio to the rank of exceptional works. And, as luck would have it, it's a theme and variations, in which Beethoven once again revolutionizes the art of variation.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eEverything here exudes grandeur, culminating in the most compelling plenitude. Oratorical and sincere, lyrical to the highest degree, Beethoven's Trio Op. 97 is the crowning achievement of the genre, whose vast dimensions demand the complicity of the listener. From its public premiere in May 1814, this serenely triumphant landmark work aroused the enthusiasm of contemporaries and, later, of the great Romantics, and throughout the nineteenth century, composers as diverse as Saint-Saëns, Lalo, Brahms, Smetana and Dvořák, fascinated by the work, could never overshadow it when writing their own trios.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe Stern-Istomin-Rose version is one of the greatest interpretations of the 20th century: powerful, epic, and intense. The remastering provides an unprecedented presence and warmth to the strings, which had previously remained slightly overshadowed by Istomin's piano in earlier editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040526037258,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverI-Beethoven-Trio_Op.97ArchdukebyEugeneIstomin_IsaacSternandLeonardRose_2024Remastered_1965Winterthur.png?v=1761726992"},{"product_id":"satie-clidat-1979-paris-remaster-2020","title":"Satie: The Piano Works by France Clidat (2020 Remastered, Paris 1979)","description":"\u003ch2\u003eSatie: The Piano Works\u003c\/h2\u003e\n\u003cp\u003eFrance Clidat (2020 Remastered, Paris 1979)\u003c\/p\u003e\n\u003cp\u003e3 disc(s) - 50 track(s)\u003cbr\u003eTotal length: 03:21:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo the question \"Are you a product of the French School?\", France Clidat, one of the great pianists of her time, once replied: \"Yes, 100%, and even more so now! I remember what Debussy said: 'You must forget that the piano has hammers.'” And she elaborated on her thoughts: \"There are two great schools, that of Chopin and that of Liszt. They were the two kings, and we are all inevitably their disciples. The French School descends from Chopin's.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrance Clidat adds, \"I retained certain lessons from my teacher: pearly playing is not struck playing; the search for color is essential.\" This is the hallmark of Lazare-Lévy, of Raoul Pugno, of Francis Planté (born in 1839, still active in the early 1930s), of Édouard Risler, as it would be for Alfred Cortot and all the pianists who, in their varied pianistic and technical approaches, shaped the true French School of piano. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1984, France Clidat received the Grand Prix of the French Record Academy for her recordings of Erik Satie. Everywhere she goes, she is nicknamed Madame Satie. There is no doubt that she and the composer’s music are one. The art of minimalism, of subtle soundscapes, a hint of irony, French elegance... everything is admirably present and distilled here.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040526168330,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverErikSatiebyFranceClidat-PianoWorks.3Gymnopedies_Gnossiennes.._2020Remastered_Paris1979.png?v=1761726995"},{"product_id":"debussy-orchestral-works-by-pierre-monteux-2024-remastered-london-1961-1963","title":"Debussy: Orchestral Works by Pierre Monteux (2024 Remastered, London 1963)","description":"\u003ch2\u003eDebussy: Orchestral Works\u003c\/h2\u003e\n\u003cp\u003ePierre Monteux (2024 Remastered, London 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is, however, the symphonic excerpts from The Martyrdom of Saint Sebastian that demand the attention of the discerning listener, thanks to Pierre Monteux’s rendition. Paired with the Images, these pieces shine with a brilliance that is both sensual and spiritual, perfectly aligning with the spirit of this work—admittedly fragmented, yet so daring, so lofty, that it emerges, in an interpretation of this caliber, as one of the most beautiful expressions of Claude Debussy’s genius.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eAt the helm of the London Symphony Orchestra, which he began directing in 1952, Pierre Monteux brings out, with extraordinary precision and a constantly awakened imagination, the intense poetry of these works. Here, the music, breaking free from all pre-established molds, advances mysteriously or whimsically in search of a weightless universe, made, in Debussy's words, of \"colors and rhythmic time.\" To combine such precision with magic, rigor with sensuality, is nothing short of miraculous. Enhanced by an excellent recording, this interpretation remains unmatched.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040526201098,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverIDebussy_OrchestralWorksbyPierreMonteux_2024Remastered_London1961-1963.png?v=1761726991"},{"product_id":"monteverdi-madrigali-guerrieri-e-amorosi-by-edwin-loehrer-2024-remastered-lugano-1963","title":"Monteverdi: Madrigali Guerrieri e Amorosi by Edwin Loehrer (2024 Remastered, Lugano 1963)","description":"\u003ch2\u003eMonteverdi: Madrigali Guerrieri e Amorosi\u003c\/h2\u003e\n\u003cp\u003eEdwin Loehrer (2024 Remastered, Lugano 1963)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 13 track(s)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eTotal length: \u003cspan\u003e00:59:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan 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Eighth Book of Madrigals, published by Monteverdi in Venice in 1638 at the age of seventy-two, preceded by a dedication to Emperor Ferdinand III dated September 1st, bears the title Madrigali Guerrieri e Amorosi. It represents the pinnacle and synthesis of his madrigal creations, being the last collection of this genre published during his lifetime. A comprehensive tribute must be paid to Edwin Loehrer, the first to reveal the fervor, passion, intensity, and poetry of Monteverdi's Madrigals. His interpretations stand alongside those of Alfred Deller or Safford Cape. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eMany details may seem open to criticism now that our ears have grown accustomed to the perfection of contemporary ensembles such as Les Arts Florissants or Musica Antiqua Köln. Nonetheless, this perspective on Monteverdi shines with intelligence, and its expressiveness and conviction remain timeless. They evoke a profound emotion in every phrase, every inflection, every passionate or contented sigh. The recording by Edwin Loehrer was awarded the Grand Prix of the Académie Charles Cros as well as the National Grand Prix of Belgium.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040526364938,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverIMonteverdi_MadrigaliGuerrierieAmorosibyEdwinLoehrer_2024Remastered_Lugano1963.png?v=1761726994"},{"product_id":"tchaikovsky-symphonies-nos-4-5-and-6-pathetique-by-evgeny-mravinsky-2024-remastered-london-1960","title":"Tchaikovsky: Symphonies Nos. 4, 5 and 6 Pathetique by Evgeny Mravinsky (2024 Remastered, London 1960)","description":"\u003ch2\u003eTchaikovsky: 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MRAVINSKY was born in 1903 in Saint Petersburg, the city of Tchaikovsky. The composer’s music seems, by this very fact, to be part of his culture and even his genetic makeup. The last three symphonies of Tchaikovsky, interpreted by Mravinsky, have been the absolute pinnacle of the discography for several decades. It is as if he were the perpetual guardian of the Tchaikovskian tradition. The theme of fate—this relentless force that prevents the fulfillment of happiness—resounds with a searing intensity, like an open wound that cannot heal.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eIn the 4th Symphony, the tension has never erupted with such violence as under the authority of the Russian conductor. In the 5th Symphony, Mravinsky combines razor-sharp attacks with rubato of infinite melancholy. In the 6th Symphony, the dramatic tension reaches its zenith. Crushing and visionary, Mravinsky grips us and drags us into an endless descent into the abyss, a one-way journey with no return.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe remastered edition is exceptional: it naturally enhances the orchestral depth and the resulting dramatic power.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital 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01:15:41\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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the strictest sense, this recording holds the status of a reference, as interpretations of works by their own composers are of paramount importance. Igor Stravinsky is undoubtedly unique in the history of recorded music, as no other composer has recorded such a vast number of their works in equally favorable conditions. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eWhat is revealed here is astonishing: the composer\/conductor approaches his orchestral pages with an analytical precision and rhythmic accuracy of the highest order. The general austerity, paired with his sense of pulse, is exhilarating. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe raw sonic power of The Rite of Spring and the interplay of light in The Firebird, where each instrument seems to shine as a soloist—this is what one expects from a definitive interpretation, and it is exactly what Stravinsky delivers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital 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love, a sentiment unfortunately universal, which every woman deceived by words she expected to materialize, and which comes to destroy the most fragile among them, is undoubtedly the great theme of Puccini's masterpiece: Madama Butterfly. An opera both of extreme delicacy and of overwhelming dramatic tension, it finds in Maria Callas the perfect ambassador. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eWe are in 1955, three months prior to her three exceptional Butterfly performances on stage in Chicago, she joins maestro Karajan for the eternal recording of her complete studio version. The conductor surrounds the diva with love, who, at the height of her art, draws an unforgettable portrait of the heroine, reaching a melodrama at the level of Greek tragedy..\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eIt is no longer possible to put words when Art reaches such a degree of emotional intensity and mastery...\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital 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legendary Presti\/Lagoya duo recalls what the Vronsky\/Babin duo represented for the piano. To their exceptional musical unity, we wish to apply this biblical citation: \"A man shall (...) cling to his wife, and they shall become one flesh.\" The Hebrew expression \"one flesh\" can also be rendered as \"one body\" or \"one person,\" which perfectly reflects the impression these recordings leave on the listener. It is no coincidence that Alexandre Lagoya and Ida Presti, husband and wife in life, united as well in the service of art. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eIt was high time for leading artists to restore the guitar’s noble standing. Beethoven reportedly described the guitar as \"a miniature orchestra,\" and he might well have said so if he had heard this duo. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe remastered edition brings undeniable presence and warmth to this anthology, which has stood as the definitive version for decades.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital 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tabindex=\"-1\"\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003eBeaux Arts Trio : Menahem Pressler \/ Daniel Guilet \/ Bernard Greenhouse (2023 Remastered, Studio 1965)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e4 disc(s) - 32 track(s)\u003cbr\u003eTotal length: 03:54:58\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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DoAewB9ACwAIgB0AGUAeAB0AC0AYQBsAGkAZwBuACIAOgB7AH0ALAAiAHQAcgBhAGMAawBpAG4AZwAiADoAewB9AH0AfQBdAH0ALAAiAGIAIgA6AHsAIgBBACIAOgBbADUANwAsADUAMwAsADYAMAAsADUAMwAsADUANwAsADUANwAsADIAMgAsADEALAA0ADgALAA1ADgALAA1ADgALAA1ADEALAA1ADAALAA1ADEALAA1ADYALAA1ADEALAAxADcALAAxACwAMgAxAF0AfQAsACIAZAAiADoAIgBBACIALAAiAGgAIgA6ACIAQQAiAH0AXQAsACIAQgAiADoAMQA0ADAAMAAsACIAQwAiADoAMQA0ADAAMAB9AA==\"\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eLudwig van Beethoven, universally recognized and revered for his symphonies, excels beyond measure in chamber music. His piano trios for violin, cello, and piano must be considered foundational pillars of any serious music collection. Some of his finest compositions were written for this ensemble (Opus 70 No. 1 \"Ghost\", Opus 70 No. 2, Opus 97 \"Archduke\"). \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eFrom early works (Opus Nos. 1 and 11) to mature masterpieces (Opus 97 and 121a), the Beaux Arts Trio, led by the dynamic and contrasting piano of Menahem Pressler, offers a cohesive and genuinely enjoyable complete recording. The remastered edition adds warmth and roundness to the string instruments, enhancing the harmonic and melodic softness of the moderate movements and the expressive tension of the more dynamic and rhythmical ones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040527151370,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverBeethoven-The11TriosforPiano_Violin_CellobytheBeauxArtsTrio.png?v=1761727000"},{"product_id":"sibelius-finlandia-en-saga-the-swan-of-tuonela-karelia-suite-pohjolas-daughter-by-sir-malcolm-sargent","title":"Sibelius: Finlandia, En Saga, The Swan of Tuonela, Karelia Suite, Pohjola's Daughter by Sir Malcolm Sargent (2023 Remastered, Vienna 1961 \u0026 London 1958)","description":"\u003ch2 class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003eSibelius: Finlandia, En Saga, The Swan of Tuonela, Karelia Suite, Pohjola's Daughter\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003eSir Malcolm Sargent\u003c\/span\u003e \u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003e(2023 Remastered, Vienna 1961 \u0026amp; London 1958)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 7 track(s)\u003cbr\u003eTotal length: 01:03:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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could such a beautiful interpretation have fallen into oblivion? The epic dimension of Sibelius's orchestral works is here elevated by a conductor well-known for having accompanied Jacqueline du Pré in Delius's Cello Concerto.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe Vienna Philharmonic is irresistibly charming and beautiful, with a special mention for the wind instruments in The Swan of Tuonela, where the oboe accentuates this dreamy, questioning melody. En Saga Op. 9 is one of the finest interpretations in the entire discography. The heroic and melancholic duality of the work is highlighted through a first-rate architectural conception, supported by strings and brass of equal magnificence. Finlandia and the Karelia Suite burst with patriotism, while Pohjola’s Daughter is a sweeping fresco reminiscent of the adventures of the hero Kullervo. (The BBC Orchestra is in a state of grace.)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThis sumptuous remastered edition restores depth and richness to these symphonic works, masterfully conducted by Sir Malcolm Sargent.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040527446282,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverSibelius-Finlandia_EnSaga_TheSwanofTuonela..bySirMalcolmSargent.png?v=1761727005"},{"product_id":"brahms-ein-deutsches-requiem-by-herbert-von-karajan-2023-remastered-vienna-1947","title":"Brahms: Ein Deutsches Requiem By Herbert Von Karajan 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recorded this monumental work four times, but it is his first version from 1947 to which we constantly return. It possesses a mystical quality and is a miracle of musicality and balance. Despite the age of the recording, the Vienna Choir and Philharmonic, as well as the soloists, sound with impeccable clarity. Karajan brings out extraordinary nuances, highlighting with light and precision the intricate melodic and polyphonic textures, even in the densest passages (the introduction of the third movement \"Herr, lehre doch mich\" and the D major fugue of the sixth movement \"Denn wir haben hier\").\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eHans Hotter's voice is at its peak, and Elisabeth Schwarzkopf, then at the beginning of her career, is astonishingly flexible. The purity of their diction, for both of them, has likely never been surpassed (the sublime \"Ihr habt nun Traurigkeit\"). Karajan’s interpretation already asserts itself as one where beautiful singing is seamlessly woven into the symphonic fabric. The rubato, used extensively, even in the sublime timpani rolls of the third movement, is never exaggerated. The tempo, ample without excess, perfectly follows the rhythmic fluctuations of the score. A desert island recording...\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040527970570,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverBrahms-EinDeutschesRequiembyHerbertvonKarajan.png?v=1761727004"},{"product_id":"borodin-prince-igor-overture-polovtsian-dances-by-constantin-silvestri-2023-remastered-paris-1961","title":"Borodin: Prince Igor Overture \u0026 Polovtsian Dances By Constantin Silvestri (2023 Remastered, Paris 1961 \u0026 London 1959)","description":"\u003ch2 class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eBorodin: Prince Igor Overture \u0026amp; Polovtsian Dances\u003c\/h2\u003e\n\u003cp class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eConstantin Silvestri (2023 Remastered, Paris 1961 \u0026amp; London 1959)\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 9 track(s)\u003cbr\u003eTotal length: 00:24:03\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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BBACIAfQBdACwAIgBCACIAOgAxADQAMAAwACwAIgBDACIAOgAxADQAMAAwAH0A\"\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eConstantin Silvestri, a self-taught conductor, electrified Eastern European audiences in the 1950s and the world in the 1960s. As a young man, he built an extensive library of records and scores. He kept notebooks where he recorded different performances of the works he listened to, noting the exact duration of each. He had his own notations that no one else could understand.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eIn 1958, Silvestri left his country and settled in Paris for three years. There, he won the first prize from the Académie Charles Cros for his recording of Dvorak's New World Symphony and the Grand Prix du Disque for Enescu's Wind Decet. In 1961, Silvestri was appointed principal conductor of the Bournemouth Symphony Orchestra, to which he became passionately attached.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan 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\"\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eHighly regarded by musicians, here are two testimonials about him:\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eBournemouth Symphony Orchestra posthumous tribute: \"A quality of sound and style which was unique in this country. Silvestri was always proud that, whatever the size of the orchestra, the musicians played with the sensitivity of a chamber group.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eBSO Assistant Conductor James Loughran: \"He succeeded in getting the orchestra to be so flexible that they could follow his every movement, every nuance, and respond to it. It became by far the freest and most virtuosic orchestra in the country. It was quite extraordinary.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040528036106,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverBorodin-PrinceIgorOverture_PolovtsianDancesbyConstantinSilvestri.png?v=1761727006"},{"product_id":"bartok-music-for-strings-percussion-and-celesta-by-evgeny-mravinsky-2024-remastered-moscow-1965","title":"Bartók: Music For Strings, Percussion And Celesta By Evgeny Mravinsky (2024 Remastered, Moscow 1965)","description":"\u003ch2 class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003eBartók: Music For Strings, Percussion And Celesta\u003c\/h2\u003e\n\u003cp class=\"Polaris-Header-Title\" tabindex=\"-1\"\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003eEvgeny Mravinsky (2024 Remastered, Moscow 1965)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1 disc(s) - 4 track(s)\u003cbr\u003eTotal length: 00:29:04\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan 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\"\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eHere is one of the pinnacles of Bartók's orchestral work, and indeed of all 20th-century music. The strings are divided into two sections around the percussion. At the center are a harp, a piano, and a celesta, accompanied by the following percussion instruments: a xylophone, two piccolo drums, a tam-tam, a cymbal, a bass drum, and timpani.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe music is steeped in a heavy and oppressive atmosphere. The gradual crescendo is a progressive conquest of the sound space, with an amplitude and intensity bordering on violence. In this, Mravinsky, that great master, is the absolute reference. The Russian orchestra, whose tones have rarely been darker and rougher, seems trapped in a vice from which there is no escape. In the final movement, the extreme tension and the frenzied rhythm of his conducting have never been matched.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe remastered edition allows for a greater appreciation of the beautiful stereophony and the powerful dynamic impact essential to fully appreciating the work and its interpretation.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan\u003eEnjoy your listening\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alexandre Bak - Classical Music Reference Recording","offers":[{"title":"Download digital files","offer_id":52040528134410,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/9693\/1850\/files\/CoverBartok-MusicforStrings_PercussionandCelestabyEvgenyMravinsky.png?v=1761727006"}],"url":"https:\/\/classicalmusicreference.com\/collections\/all.oembed?page=4","provider":"CMRR Music Publishing","version":"1.0","type":"link"}